Recreational Workers Industrial Union 630

All workers in playgrounds and places of amusement and recreation. All professional entertainers.

The Ultimate Fighting Anarchist (and Wobbly!)

Despite being a world-class competitor, Monson finds time to remain politically engaged. In 2003, he marched against the Iraq War in Seattle, and protested the Free Trade Area of the Americas in Miami (where the notoriously aggressive cops wisely left Monson alone). He is also a member of the Industrial Workers of the World, and despite the controversy that surrounds him, continues to engage people within the fighting community about politics.


By Gabriel Thompson - In These Times, April 21, 2006.

He is, without a doubt, the toughest subscriber to In These Times. Standing 5’ 9” tall, weighing 240 pounds and sporting a shaved head, Jeff “The Snowman” Monson looks like a cartoon ready to pop, a compressed giant of crazy shoulders, massive biceps and meaty forearms.

When he sneers, people shudder. When he sweats, they turn away. When he’s angry, your best bet is to run.

He’s angry right now, even though his combat career in the Ultimate Fighting Championship (UFC)—an often-bloody tournament that combines martial arts disciplines like Brazilian Jujitsu and Muay Thai Kickboxing—is taking off. In February’s pay-per-view event, Monson easily beat his opponent with a chokehold in the first round. If things keep going this way, he could have a title shot in the heavyweight division, against the explosive Andrei “The Pit Bull” Arlovski. So no, it’s not his future career prospects that have him pissed. It’s the state of the world.

Game Review: A Force More Powerful

A Force More Powerful is a new game produced by the International Center on Nonviolent Conflict and York Zimmerman as a followup to their collaboration on the PBS documentary of the same name.  It is billed as "The Game of Nonviolent Tactics" and is intended as a fun, educational game for people involved in mass struggle worldwide.

 An anti-government Rally

 Above: An anti-goverment rally in the city of Grbac

In AFMP, the player controls one movement, the Opposition, which is attempting to defeat the other movement, the Regime, using nonviolent tactics.  There are ten scenarios included with the game, though with various difficulty levels and choices of victory conditions for each scenario it seems likely that there will be a lot of gameplay possibilities even before you download the scenario editor and have a go at designing your own.  An interactive online forum provides a space for discussion of these scenarios and for you to upload any new scenarios you create for sharing with other gamers.

Soundman quietly supports his causes

By Gordon Kent - The Edmonton Journal, Sunday, January 08, 2006

EDMONTON -- Mike Tulley has spent much of his life making sure the causes he supports get their messages out.

The soft-spoken Riverdale resident doesn't make many speeches, but if there's a peace march, an arts fundraiser or a labour rally, Tulley is usually there -- operating the sound equipment.

For the past 35 years the sound engineer has been volunteering behind the scenes with the many causes he supports, hoping his work will help make the world a little better.

Rock in Opposition

Disclaimer - The following article is reposted here because it is an issue with some relevance to the IWW. The views of the author do not necessarily agree with those of the IWW and vice versa.

By Jake TenPas - Corvallis Gazette-Times, Sunday, December 4, 2005

Wobblies headline punk show to raise money, awareness of workers' rights

The Wobblies don't mince words. They don't try to dress up their message of socialism, social equality, civil rights and freedom of thought with surreal imagery or overly clever turns of phrase.

Even their name, The Wobblies, is straight to the point. Looking to the (Industrial) Workers of the World union for inspiration, they play a brand of genuine punk rock (not that pathetic posturing Good Charlotte and Blink 182 pass off as punk) that seeks to unify all those left out in the cold by the new world order.

When The Wobblies take the stage at the Elks Lodge on Friday, Dec. 2, then, they will perhaps have even more to say about the topic at hand than the rest of their brothers and sisters in musical arms.

That topic is United Students Against Sweatshops' campaign to put pressure on PT Victoria, a company that until two years ago operated a factory in Jakarta, Indonesia, where the workers were paid 37 cents an hour.

When the workers tried to unionize in an attempt to gain better pay and working conditions, PT Victoria packed their factory and moved to Hong Kong without paying the Indonesian laborers their last wages, severence pay or overtime for the 24-hour shift they were forced to work to complete the factory's final order from Eddie Bauer, who used it as a subcontractor.

Though Indonesia ordered PT Victoria to pay the snubbed workers their due, because the company had already relocated, the government was powerless to enforce their mandate. Meanwhile, Eddie Bauer, which has a corporate policy to force subcontractors to follow the laws of the countries they operate in, continued to order from them for two years until USAS pressured them to desist.

Now, Eddie Bauer is mediating the dialogue between the workers and the owner of the factory, Joe Pang. Unfortunately, until the dispute is settled, there are nearly 900 workers who are short $1.1 million in wages. To say their situation is dire would be an understatement.

That's where Corvallis resident Bjorn Warloe came in. After securing the Elks Club for a concert to benefit the workers, he enlisted the Pipe Layers Union, a grunge-punk outfit that specializes in music Mudhoney might have dug, and the Muckrakers, a sort of local supergroup featuring members of Tourist, Arcweld and the Adequits.

And of course, The Wobblies, Oregon's answer to both Rancid and the Dead Kennedies.

"We're socialists, and our music is definitely political," says drummer Ty Smith, sipping a whiskey and Coke at AJ's Restaurant. "We're a class conscious band.

Well surely there's plenty of work to do here at home, I suggest playfully, without looking over seas for people to help.

"A lot of the problems we're having here are related to this," he quickly fires back, citing the exploitation of workers abroad as a prime example of the way undermining freedom and workers' rights in other countries leads to the slow erosion of similar principals here in America.

"If companies can run rampant over the little working protections they have in those countries, it just makes it that much more profitable," he concludes. "The workers have lost their jobs, their clout."

One listen to The Wobblies' most recent CD, "Flames of Discontent" is enough to know that even before they heard of the plight of the workers in Jakarta, fair trade, freedom (not the kind President Bush mocks with every word, but the kind that real men and women have died for throughout history) and civil rights were concepts they supported with every strum of their guitar.

On the closing track, "Mutiny," singer AJ Smith yells "And at the tip of a dagger you'll hear us say/ as you're walking onto the plank/ grab your cutlasses boys and have a drink/ there's gonna be a mutiny/ let the captain of the ship who led us astray/ fall into the bottom of the sea."

Mutinous words? Words of rebellion and revolution? Perhaps? Words of coercion? Never.

"We're not missionaries. We're not trying to convert people to rabid socialism. We're trying to be a conversation starter," Smith explains.

It isn't the job of the musician to be a politician, but rather the poet of the masses. Generally, I enjoy my music without overt politics, but sometimes, and never more so than in our current political climate, you just want to crank some righteously angry noise.

That's where The Wobblies come in.

The last time I caught the group's live act at AJ's, the cops came knocking to enforce the city's noise ordinance. I don't know how many live shows you've been to, but very rarely are bands in bars told to turn it down.

The Wobblies are loud. Deafeningly so. They require plugs like the ones each of us sticks in our ears every day to avoid hearing the cries of people around the world with less rights than we have here in America.

One person can only do so much, and perhaps those earplugs keep you from losing your mind at the unquenchable fire raging all around you.

But you can take those earplugs out, if only for one night, and chance going deaf to hear the message of the other half. With The Wobblies playing it, it never sounded so good.

So come on Corvallis, grab those stoppers.

Now pull.

Jake TenPas can be reached at jake.tenpas@lee.net or 758-9514.

Radical Folk Music: An Interview with David Rovics

Disclaimer - The following article is reposted here because it is an issue with some relevance to the IWW.  The views of the author and the publisher do not necessarily agree with those of the IWW and vice versa.  Dave Rovics is a dues paying Wobbly.

Written by Matt Dineen for towardfreedom.com - Wednesday, August 31, 2005.  

ImageHaving just started a deadening temp job alphabetizing books that students had returned at the semester’s end, there was something comforting about hearing the triumphant chorus: “When all the minimum wage went on strike!” bouncing off the University of Wisconsin’s buildings. It was early May and rabble-rousing folk musician David Rovics was in Madison to celebrate the centennial of the Industrial Workers of the World (IWW). I had first heard him play “Minimum Wage Strike” six years before at a student activism conference in Boston. I’ve been drawn to David’s music ever since. He continues to leave his own unique mark on the radical folk tradition. I had the chance to sit down with him on a lovely spring day inside the Orton Park gazebo where we discussed his passion for playing music for the revolution as an antidote to crippling wage slavery. 

When you’re in a social situation and people ask you: "What do you do?" how do you usually respond?